Claude MONET's works in Giverny
Nympheas 2 (1875~ 1886~87)
'Nymphéas'
Claude MONET 1904
Private collection
'There was a stream, the Epte, which came down from Gisors on the boundary of my property. I opened up a ditch so that I could fill the little pond that I had dug in my garden. I love water but I also love flowers. That's why, when the pond was filled, I wished to decorate it with plants. I took a catalogue and made a choice any old how. That's all.'
Claude Monet
'Nymphéas'
Claude MONET 1897
Los Angeles County Museum of Art, California
'It took me time to understand my waterlilies... I had planted them for the pleasure of it; I grew them without ever thinking of painting them... A landscape doesn't permeate one's being in one day... '
Claude Monet
'Nymphéas, effet du soir'
Claude MONET 1897
Musée Marmottan, Paris
'Suddenly I had the revelation of how magical my pond is. I took up my palette.
Since that time I have scarcely had any other model.'
Claude Monet
' Nymphéas'
Claude MONET 1905
National Museum of Wales, Cardiff GB
'The effect varies unceasingly, not only from one season to another but from one minute to the next, since the waterlilies are far from being the only thing in the show ; as a matter of fact, they are merely the accompaniment.'
Claude Monet
'Nymphéas'
Claude MONET 1906
Tha Art Institute of Chicago, Illinois
'The motif's essential is the mirror of water whose aspect is constantly being
modified by the changing sky reflected in it, and which imbues it with life and
movement.'
Claude Monet
'Nymphéas'
Claude MONET 1908
Private collection
'These landscapes of water and reflections have became my obsession. They are far beyond my old man powers and despite everything I want to succeed in conveying what I feel. I destroy some... I start over again... And I hope something will finally come from so many efforts.'
Claude Monet
'Nymphéas'
Claude MONET 1908
Private collection
'Suddenly Monet grabbed up his palette and brushes. 'The sun is out again, 'he said, but at that moment he was the only one who knew it. Look as we might, we still saw nothing.'
Gustave Geffroy
'수면 여기저기 떠다니는, 딸기처럼 수줍고, 하얀 꽃잎들로 둘러싸인 한송이 백합의 주홍색 마음 같은..., 좀 과장된 표현 같지만 떠다니는 꽃 침대 위에 서로 꼭 끼게 누워있는 사람들 같은 모습은, 마치 팬지꽃들이 나비처럼 정원에서 날아올라 푸른 광택이 나는 날개를 파닥 이며 연못 가장자리 투명한 그늘 위를 맴돌고 잇는 것 같았다. 이 하늘 빛 가장 자리.......'
마르셀 프루스트 <溶뗌?길>(1913)
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지산
Memory / Barbra Streisand
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